What Order To Play God Of War?

God of War: Ascension — First. God of War: Chains of Olympus. God of War. God of War: Ghost of Sparta.
View complete answer

Do you need to play God of War in order?

Image: Push Square Do you need to play old God of War games before you play God of War Ragnarok ? The God of War series is one continuous journey that follows the bloody path of Kratos, a god with a violent past. While each game is largely self-contained, there is some connective tissue that might make you wonder if you should play the previous games before jumping into the new one.

As part of our God of War Ragnarok guide, we’re going to tell you whether you should play old God of Wars before getting started. It’s a slightly tricky question to answer, as it depends on how much you’re willing to invest in God of War’s overarching narrative. In our opinion, you don’t need to play previous God of War games to enjoy God of War Ragnarok, but you probably should if you want to get the most from it — God of War 2018 in particular.

Ragnarok is a direct sequel, picking up a few years after what transpires in the previous game. It doesn’t waste any time in building on the plot lines from the last adventure, introducing more characters and upping the stakes in the opening hours. While you can absolutely play Ragnarok on its own, it’s definitely “part two”; the pair of games share a lot of the same DNA and tell one epic story.

If you have the time, we’d encourage you to play God of War 2018 before you play Ragnarok so you don’t get lost. If you’d rather get stuck in, you have a couple of other options. Firstly, when you start up Ragnarok, the main menu has a recap of the events from the previous game for you to watch. It’s pretty brief, though, and doesn’t really get into the nitty gritty details.

Your second option is to check out our much more detailed God of War story recap, which not only goes over the main events of the 2018 game, but also briefly covers the Greek era games, giving you the full picture. Did you feel the need to play old God of Wars before playing God of War Ragnarok ? Tell us in the comments section below, and read our God of War Ragnarok guide for lots more.
View complete answer

Is God of War Ascension before or after God of War 3?

God of War: Ascension
North American box art
Developer(s)	Santa Monica Studio
Publisher(s)	Sony Computer Entertainment
Director(s)	Todd Papy
Producer(s)	Whitney Wade
Designer(s)	Mark Simon
Programmer(s)	Vassily A. Filippov
Artist(s)	Christopher Sutton
Writer(s)	Marianne Krawczyk
Composer(s)	Tyler Bates
Series	God of War
Platform(s)	PlayStation 3
Release	NA : March 12, 2013 EU : March 13, 2013 AU : March 14, 2013 UK : March 15, 2013
Genre(s)	Action-adventure, hack and slash
Mode(s)	Single-player, multiplayer

God of War: Ascension is an action-adventure hack and slash video game developed by Santa Monica Studio and published by Sony Computer Entertainment (SCE). The game was first released on March 12, 2013, for the PlayStation 3 (PS3) console. It is the seventh installment in the God of War series and a prequel to the entire series.

Loosely based on Greek mythology, it is set in ancient Greece with vengeance as its central motif. The player controls the protagonist, Kratos, the former servant of the God of War Ares, who tricked Kratos into killing his wife and daughter. In response to this tragedy, Kratos renounced Ares, breaking his blood oath to the god.

Kratos was, therefore, imprisoned and tortured by the three Furies, guardians of honor and enforcers of punishment. Helped by the oath keeper, Orkos, Kratos escapes his imprisonment and confronts the Furies, aiming to free himself of his bond to Ares.

1. The gameplay is similar to previous installments, focusing on combo-based combat with the player’s main weapon, the Blades of Chaos, and other weapons acquired by the game’s World Weapons mechanic,
2. It continues the use of quick time events from previous entries but also utilizes a promptless free-form system.

Four magical attacks and a power-enhancing ability can be used as alternative combat options, and the game features puzzles and platforming elements. The game also features a redesigned combat system, gameplay mechanics not available in previous installments, and downloadable content,

Notably, Ascension is the only installment in the series to include multiplayer, which is online-only and features modes for both competitive and cooperative play. From October 2012 to March 2013, a social experience was available online in the form of a graphic novel titled Rise of the Warrior, a prequel story that tied into the game’s single-player and multiplayer modes.

Ascension was the last game in the series to be based on Greek mythology and also the last one to feature Terrence C. Carson as the voice of Kratos as the franchise shifted to Norse mythology with 2018’s God of War and Christopher Judge took over the role of Kratos.

God of War: Ascension received generally favorable reviews from critics, who praised its fundamental gameplay and spectacle as true to the series, although the story was deemed to be less compelling than in previous installments. The game’s multiplayer element received mixed responses: although reviewers found that the gameplay translated well into the multiplayer setting, they criticized the balance and depth of combat.

Ascension sold less well than its predecessors and received no awards, but it did receive several nominations, including “Outstanding Achievement in Videogame Writing” at the Writers Guild of America Videogame Awards and the Academy of Interactive Arts & Sciences award for “Outstanding Achievement in Sound Design”.
View complete answer

Should I replay God of War before Ragnarok?

You don’t need to play 2018’s ‘God of War’ to play ‘Ragnarok’
View complete answer

Is God of War Ragnarok the last game?

The short version of God of War: Ragnarok’s ending – After spending much of God of War: Ragnarok fiercely rejecting the idea of war, Kratos is eventually pulled into participating in Ragnarok – the great war against Asgard. Before that happens, it’s revealed that Tyr, the Norse god of war who’s been staying at Kratos & Co’s headquarters, has actually been Odin all along.

Odin used his godly powers to disguise himself as Tyr, and spent the whole game spying on Kratos, Atreus and Freya. Odin makes his grand revelation by stabbing and killing Brok. That turns Sindri, normally gregarious and deferential, into an angry Dwarf, deeply resentful of Kratos, Atreus and their role in setting up Brok’s death.

Sindri helps them out at Ragnarok, but only because he wants revenge on Odin. He uses a tool that gives the gang a way to penetrate through the wall that surrounds Asgard. Inside, Kratos battles and defeats Thor. Just as Thor begins to repent for his sins and heed Kratos’ plea to be a better god, Odin appears and kills Thor.

Ratos, Freya and Atreus then battle and defeat Odin. Atreus uses Giant magic to trap Odin’s spirit in a marble, then Sindri appears, snatches the marble and smashes it to bits with a hammer. Like I said, angry Dwarf. The gang manages to escape Asgard thanks to Angrboda, a Giant who Atreus meets early in the game.

After the battle, Angrboda tells Atreus she knows he’s had Giant visions, and that she needs to tell Kratos. He does so, informing his father that there are other Giants out there, and that he alone needs to find them. In the moment of Ragnarok, Kratos embraces his son and tells him he’s ready for his own adventure.

Atreus says goodbye, and Kratos sees on a shrine revealed to him by Agrboda that the Giants long ago prophesized him as the hero of Ragnarok. Santa Monica Studio, God of War’s developer, has said Ragnarok is the end, and that God of War won’t be spun into another trilogy. But the way the game ended absolutely opens up the possibility of a follow-up that focuses on Atreus – possibly with Sindri as a villain.

Dwarf magic is established as immensely powerful in God of War: Ragnarok, and Sindri’s obvious hatred of Kratos and Atreus is one of the conspicuous threads left untied by Ragnarok’s end. That’s the short version of God of War: Ragnarok’s ending. Read on for a more comprehensive look at how God of War: Ragnarok played out.
View complete answer

How many hours is the God of War game?

Main Story: 21 hours. Main Plus Extras: 33 hours. Completionist: 52 hours. All Playstyle Average: 34 hours.
View complete answer

Can I skip God of War 1 and 2?

While you do miss a bit of the backstory if you play GoW III without playing I & II, there is not a lot of story there to start with (to be clear, I think what story is there is good and well done, but it is still a thin story). I think you will miss very little of the enjoyment of playing GoW III by skipping I & II.
View complete answer

Which God of War games should I play before Ragnarok?

With just a few days to go before the release of God of War Ragnarök, some potential players might be wondering if you need to play the first one to understand what’s going on. Arguably one of the most anticipated AAA releases of this year, God of War Ragnarök is a sequel to Santa Monica Studio’s 2018 release God of War.

1. The game continues the story of long-serving protagonist Kratos and his now-teenage son Atreus through their journey steeped in ancient Scandinavian mythology.
2. Three words to describe #Kratos ? Father. God. Juggler.
3. GodOfWarRagnarok,
4. Pic.twitter.com/JgtcUMU50w — PlayStation UK (@PlayStationUK) October 29, 2022 Despite being a sequel, God of War Ragnarök is actually the ninth installment in the God of War franchise, though this upcoming release is more detached from the first seven games.

With that in mind, the most important game to know ahead of Ragnarök’s release is the 2018 release — but do you need to have played and finished it in order to enjoy Ragnarök. The answer largely depends on what you’re looking to get out of playing God of War Ragnarök.

If you’re primarily playing to enjoy the story, then having played through 2018’s God of War will be essential. The characters of both Kratos and Atreus, and their relationship, is a key element of God of War and will likely be explored further in Ragnarök. Emotional beats tend to hit harder when you have previous attachments to characters and story elements.

God of War Ragnarök draws near. Check out family portraits highlighting 5 key relationships while you wait: The Bear and the Wolf 🐻🐺 The Dwarves ⚒️ Heroes of Midgard 🍽️ 🍗 Mother and Son 👩‍👦 The Aesir 🔨 ⚡ Full gallery: https://t.co/6IIt5AlmVJ pic.twitter.com/g0Qiydpd5p — PlayStation (@PlayStation) October 21, 2022 If you’re looking to enjoy some action-packed gameplay, taking advantage of one of Sony’s first party titles on either the PS5 or PS4, then playing through 2018’s God of War might be less relevant.

There will still be a lot to take in and enjoy from Ragnarök alone. It’s worth noting that 2018’s God of War is included as part of the PlayStation Plus subscription, available for subscribers to play at no extra cost. Its relatively linear gameplay means that most players would be able to finish it ahead of God of War Ragnarök’s launch.

God of War Ragnarök will release worldwide on Nov.9, 2022 on PlayStation 4 and PlayStation 5.
View complete answer

Is GoW ascension worth?

God Of War: Ascension Review – Not So Godly Anymore – Game Informer When I reviewed the original God of War back in 2005, I remember feeling sorry for other action games. Kratos outpaced his peers by such a wide margin that measuring up to his bloody rampage seemed impossible. Other games took cues from God of War, but each new installment raised the bar even higher, putting more distance between Kratos and his rivals.

After years of dominance, God of War: Ascension is the series’ stumble that could allow the competition to close the gap. Pinpointing where Ascension goes wrong is difficult, because it has all of the components a God of War title should. Whirling blades? Check. Jaw-dropping boss fights? Check. Story about Kratos’ tragic past? Check.

The list goes on, but even though Sony’s Santa Monica Studio included the key elements, it doesn’t mean they are executed up to the series’ high standards. In areas where fans expect a new entry to move forward – like narrative and combat – Ascension either stalls or steps backward.

1. Set 10 years before the first entry, Kratos is on a quest to free himself from the bond of Ares.
2. This puts him at odds with the Furies, creatures charged with enforcing oaths.
3. Series fans know how the story ends: Kratos wins, breaks his bond, and eventually kills Ares.
4. In a prequel, the challenge is to craft a tale that enriches the events that players have already seen – something Ready at Dawn’s handheld God of War titles did exceptionally well.

Kratos pushing his daughter away in Elysium and battling his brother Deimos helped players see a different side of the character. Ascension offers no such insight. Its main contribution is emphasizing that Kratos misses his family and is sorry that he killed them, which is well-worn material at this point.

The result is a story that has players chasing artifacts and fighting bad guys with no investment in the outcome. Though Kratos lacks the compelling purpose that drove him forward in other entries, he’s still full of epic exploits. In terms of spectacle, Ascension holds the same note from God of War III.

Towering creatures, massive structures, and brutal deaths punctuate the adventure from beginning to end. They all look great, too, thanks to stellar production values. From Kratos’ ashy complexion to enormous mechanical snakes slithering though snowy mountains, I stopped and marveled at the visuals several times.

Cinematic camerawork highlights the action well in most situations. It occasionally zooms out so far that you can’t make out what’s happening or who’s attacking, but you usually have a front-row seat for the carnage. The essence of battle remains intact, with Kratos dishing out stylish combos and executing mythological terrors through elaborate (and entertaining) timed button-press sequences.

If you just watch the action, you would think it’s more of the same, but the combat system has undergone some tweaks that change how you play. The removal of superfluous alternate weapons forces you to focus on your blades, which everyone does anyway.

1. Players still have other things to spend red orbs on; blade attacks can be infused with upgradable elemental properties that grant unique abilities.
2. Unfortunately, their most useful elemental powers (the area-clearing magic) are buried at the final upgrade level.
3. The standard attacks look different, but they don’t feel distinct in practice, leaving combat feeling less varied than previous entries.

Other combat changes converge to make Ascension fall behind. The revamped rage meter unlocks more powerful moves and allows your elemental augments to generate different orbs, but keeping it charged is too challenging when facing hordes of enemies – which is when you need it the most.

• The decision to make the parry move (which used to activate automatically with a well-timed block) into a separate input breaks up the natural combo flow.
• The addition of boring secondary weapons lying on the ground is also disappointing, since they are never as cool or useful as Kratos’ standard arsenal.

I understand the need to innovate and alter the formula for a new game, but Ascension is different in all of the wrong ways. Nowhere in the game are the problems more apparent than during the final hour, when Kratos encounters the Trial of Archimedes.

This section is punishingly difficult, thanks more to the shortcomings in combat design than the specific arrangement of enemies you face. I’ve beaten previous God of War games on the highest difficulty level, but it took me about an hour of constant dying on the normal setting before I could finish the trial.

Just when the adventure should be reaching its crescendo, this section tragically poisons the final chapters and replaces any lingering enthusiasm with frustration. Maybe multiplayer is to blame for the tweaks to the combat. Perhaps Sony was more concerned with crafting a battle system optimized for multiplayer rather than single-player.

• If so, that goal was achieved.
• Ascension’s multiplayer is a well-tuned experience, and the things that feel clunky in the solo campaign (like the parry and secondary weapons) are natural when you’re squaring off against real opponents.
• Multiplayer also doesn’t feel haphazardly shoehorned in; combat is competent, and the leveling system and various weapon and armor unlocks are noble attempts to add longevity.

However, the best way to keep people playing would have been interesting modes. Standard deathmatch, capture the flag, and co-op horde options are how you test your skills. All of the modes function fine and provide some thrills, but they don’t capture what makes God of War entertaining or remarkable.

Despite its faults, God of War: Ascension is a good game. The action is fun, the graphics are astounding, and players are pulled from one high-adrenaline moment to the next. But it’s also disappointing. Fans are accustomed the rising stakes and escalating scale that make Kratos attain deific heights, but Ascension proves that he is mortal after all,

To see God of War: Ascension in action (and to hear our commentary), watch the highlighting the game. : God Of War: Ascension Review – Not So Godly Anymore – Game Informer
View complete answer

Is God of War 3 and 4 connected?

Yes they are. The chronological order they happen is ascension, chains of Olympus, God of war 1, god of war ghost of Sparta, god of war 2, god of war 3, god of war 4(2018), god of war Ragnorok.
View complete answer

What is the difference between God of War 3 and remastered?

The deluge of HD remasters shows no sign of abating – fatigue is starting to kick in, but the allure of prettier, smoother, enhanced versions of genuine classics remains a pretty enticing proposition. God of War 3 Remastered stands apart from the crowd by delivering a full 1080p presentation in combination with performance that is to all intents and purposes locked at 60fps.

• From a visual perspective, nothing can quite top the experience found when locking resolution and frame-rate to the specs of your display, but even better than that, God of War 3 emphasises how gameplay can be improved via the remastering process too.
• Often compared to Uncharted 2 as a technical showcase, God of War 3 remains a benchmark visual achievement for PlayStation 3, offering up levels of detail and graphical polish that firmly established the console’s technological prowess back in 2010.

The breathtaking opening scene alone, set upon the giant Titan Gaia, still impresses with its sense of scale and cinematic direction. Our initial look at the opening 20-30 minutes of the game last week (and embedded at the foot of this article) revealed a near locked 60fps throughout the entire sequence, with only a single two frame drop manifesting at the beginning of one battle.

The impact to gameplay was non-existent, and as result we were looking at the most consistent 1080p60 remaster since 4A Games’ superb Metro Redux collection. Impressively, this level of performance continues throughout the rest of game, with frame-rates rarely seeing any impact at all. And when dropped frames do manifest, interruptions to the gameplay experience remain almost non-existent, to the point where they are likely to go by completely unnoticed while your attention is focused on brutally dispatching the hordes of mythological creatures unleashed by Zeus and his cohorts.

As such, gameplay is transformed over the PS3 release, feeling much more refined and significantly more responsive. This the sort of result the remastering process should engender: with this release, there’s the sense that the full potential of Sony Santa Monica’s original design is finally being realised.

God of War 3 Gameplay	PlayStation 4	PlayStation 3
Lowest Frame-Rate	56.0fps	28.0fps
Dropped Frames (from 21,421 total)	13 (0.06%)	5,947 (27.76%)

To put things in perspective let’s take a look at a performance across several locations in the game combining a mixture of combat traversal and real-time cut-scenes. For the most part, frame-rates on the PS3 hover between 35-45fps during combat and QTE action scenes, with metrics approaching the lower end of that scale when the engine is under load.

While we do indeed encounter regular moments where gameplay and visual fluidity appear smoother than the standard locked 30fps, judder is commonplace. On top of that, the delivery of frames alternating between 16-33ms intervals has a knock on effect in terms of gameplay – button presses lack consistency in terms of response.

The metrics above tell their own story. Out of 21,421 sampled frames, a mere 13 are dropped on PlayStation 4 – just 0.06 per cent, compared with 5,947 on PS3, a somewhat more noticeable 27.8 per cent. The result is that the remastered experience feels consistently smooth and highly responsive.

• Button presses react with the same level of crisp feedback each time, allowing for a level of precision not possible on the original PS3 release.
• Gameplay flows more fluidly, with everything from changing combos to performing time-sensitive QTEs benefiting from the increased, more consistent response.

While combat can easily be taken care of via simple button mashing across both machines, the game’s platform sequences require a little more finesse, and this is where the more precise controls make an even more welcome difference. The Chain of Balance stage sees Kratos quickly leaping between collapsing platforms while avoiding falling rocks from above.

On PS4 we never missed a single leap, tapping the X button for a second time at the last possible moment to gain the maximum amount of lift from double-jumping, whereas the variable level of controller response on PS3 caused us to fall to our doom on several occasions. God of War 3 compared on PlayStation 3 and PlayStation 4.

Use 1080p resolution and full-screen playback for the best experience. Beyond the substantial performance upgrade, the other main improvements with the remaster are centred around the jump to native 1080p over the standard 720p found in the original PS3 release, along with a change of direction in anti-aliasing.

In particular, the custom MLAA solution used on the original PS3 game is ditched, with PS4 studio Wholesale Algorithms opting to use plain old multi-sampling instead – 2x MSAA to be exact. On the whole, image quality remains quite similar to the PS3 original, but the use of multi-sampling produces fewer artefacts on fine details and shiny surfaces – areas where the post-process MLAA is ineffective (it only works on the pixel-based elements of the scene, rather than in the actual geometry itself).

The low contrast nature of the game and reliance on chunkier polygonal details also helps to maintain the clean appearance of the PS3 version. However, in terms of delivering a graphical upgrade over the original, it appears that there has been little in the way of actual improvement to the core assets.

Instead, the developers rely on Santa Monica Studio’s original artwork to provide an additional boost in detail levels at 1080p, rather than reworking the original assets. Usually, the jump to full HD resolution results in compromised texture quality as the original assets were never really designed to operate at higher pixel-counts, but this isn’t the case with God of War 3.

The extra precision on offer delivers an instantly noticeable boost that benefits both texture details and geometry-based elements of the game. Intricate aspects of the characters – such as the indentations and curves on Kratos’ armour – are resolved to a higher standard, along with fine details on distant scenery, which tend to pop out more cleanly than before.

• In short, the extra detail was always there – it’s just that the higher resolution here makes the most of the original assets.
• The leap to 1080p unlocks higher quality assets that might otherwise only be visible up-close on PS3.
• It seems that that the extra resolution allows for the engine to choose the highest quality mip-map levels for textures across large portions of the scene, with background details visibly benefiting from a healthy boost in high frequency information.

Up-close, the differences are less pronounced due to the maximum quality LODs chosen across both formats. This also results in extra level of sharpness to ground textures despite neither version of God of War 3 featuring anisotropic filtering – a trilinear solution is deployed across both platforms, though the appearance of higher quality mip-map levels on PS4 means distant texture blur is somewhat reduced. PlayStation 4 PlayStation 3 God of War 3 Remastered offers up a native 1080p presentation with improved image quality over the PS3 original. The boost in resolution brings out an extra later of clarity to existing art, with small details and intricacies appearing more prominent. Check out the environment detailing to the left here. PlayStation 4 PlayStation 3 The same core artwork is used across both versions, though the jump to 1080p resolution allows for more pixels per texel on PS4, resulting in better mip-map selection on more distant scenery. Here we see how the rocks in the background feature lower resolution textures on the PS3, whereas close-up details sport the same artwork quality. PlayStation 4 PlayStation 3 God of War 3 uses trilinear filtering across both platforms. However, the engine deploys higher quality mip-maps on PS4 resulting in less blurring of ground textures. PlayStation 4 PlayStation 3 God of War 3 uses plain old multi-sampling on the PS4 remastered version (2x MSAA). This provides a little more sub-pixel coverage over the custom MLAA solution used on the PS3 original, leading to fewer jaggies in motion. In still screens the upscale on PS3 helps to blur over these artefacts, but this doesn’t have the desired effect during gameplay. PlayStation 4 PlayStation 3 MSAA performs best on long edges and chunky details. Here we see how the mountains and statue in the background appear relatively clean despite the low levels of coverage on offer. Shader aliasing is still an issue though, causing shimmering across normal-mapped surfaces that feature a specular component. PlayStation 4 PlayStation 3 Lighting effects get a mild increase in bloom on PS4. Here we see how the searing heat of the charred remains is more strongly displayed on the remastered version. PlayStation 4 PlayStation 3 Video cut-scenes remain completely unchanged on PS4, and are rendered at the same 720p resolution seen in the original PS3 game. However, scaling quality appears decent enough to avoid any overly harsh artefacts. That said, these elements are visibly softer than the native 1080p real-time visuals and the difference is noticeable. PlayStation 4 PlayStation 3 Alpha-based effects such as weapon trails, smoke, and fire appear unaltered in the God of War 3 Remastered. Some of these effects feature a distinctly last-gen feel to them, but at the same time successfully help to spruce up combat scenes. PlayStation 4 PlayStation 3 Depth of field is carefully used in God of War 3 in order to avoid excessively blurring over the detailed environments during gameplay. Instead, the effect is mostly deployed for cinematic effect or to help generate a sense of scale in certain scenes.

1. This allows the core visuals to remain sharp with elements only appearing noticeably out of focus when the develop wants to focus the player’s attention on specific details.
2. In other areas, developer Wholesale Algorithms makes several changes in how certain effects are handled – we sees some interesting changes to better suit the 1080p resolution, but not exactly a dramatic overhaul overall.

Once again, the idea here is to extract as much as possible from the original art, tweaking a few select areas where necessary. Shadows get a boost in resolution to avoid looking noticeably blocky (though some stair-stepping is visible when these elements are viewed up-close) and there are also fairly mild increases in bloom used to enhance the way environments and effects are illuminated.

Other elements seem unchanged: post-process effects, such as depth of field and motion blur are comparable to the PS3 original, and similarly, alpha-based elements are also unchanged. Smoke and fire continue to feature a flat appearance, though the use of contact flashes, weapon trails, and particles still work well in sprucing up combat.

Cut-scenes are also left untouched, besides receiving a 1080p upscale. While the resizing process is of a reasonably high quality, the lower quality presentation does stick out somewhat – we’re still at 30fps and the upscaling is noticeable. With the additional power available on PS4, it’s a shame that Wholesale Algorithms and Santa Monica Studio were not able to render these scenes in real-time for this remaster.

Overall, it’s a small blemish on what is an otherwise excellent presentation. Even 1080p60 video re-renders of the original movie sequences would have made a big difference – after all, this was the approach that Naughty Dog undertook in The Last of Us Remastered. Our only other gripe concerns the new photo mode option.

The feature worked well in The Last of Us, with full camera control allowing us to capture every last grizzly detail when taking a shotgun to the head of the Infected. However, photo mode in God of War 3 Remastered feels like more of an afterthought. While it’s possible to edit pictures after they are taken, the lack of camera control in-game means that getting the desired angle can be tricky.
View complete answer

Should I play God of War 3 before Ghost of Sparta?

So I just finished Chains of Olympus and I played the collection awhile ago so I’m trying to decide what to play next? Should I continue playing the games in order of their release or will playing Ghost of Sparta first add something more to God of War 3? 12 years ago Playing them in order of release makes the most sense 12 years ago I haven’t played Ghost of Sparta, but I’ve heard that playing that game gives you a better understanding of some of the relationships between Kratos and other characters in God of War 3. It probably doesn’t really matter, but I would suggest playing Ghost of Sparta first.12 years ago Play number 3 and then ghost of sparta. Technically isn’t GOS a prequel to the whole series? 12 years ago @GoofyGoober GOS is set between God of War 1 and 2.12 years ago Reviews: 20 User Lists: 20 III is the worst game in the series (with the possible exception of the first God of War, which is the only I haven’t played). Ghost of Sparta is superior in pretty much every way. Except graphics, obviously.12 years ago @Icemael Ya I heard God of War 3 was the weakest of them all. Would you think playing GOS first would help my enjoyment of 3? Also if you ever do end up playing the first one just make sure you keep in mind it is the first in the series you will have a fantastic time.12 years ago @RE_Player92: Ohhhh ok, my bad then.12 years ago @RE_Player92: GOS then 3.3 amps everything up so playing a PS3 game then a psp game would be weird.12 years ago Reviews: 20 User Lists: 20 @RE_Player92: I don’t think playing Ghost of Sparta would further your enjoyment of III in the least. You should still play it, though. It’s good.12 years ago @Icemael said: ” III is the worst game in the series (with the possible exception of the first God of War, which is the only I haven’t played). Ghost of Sparta is superior in pretty much every way. Except graphics, obviously. ” I actually felt the complete opposite: GoW1 was pretty epic but because I played GoW2 so much later it didn’t pack much of a punch for me. Play Ghost of Sparta first, it sort of explains some of the animosity between Poseidon and Kratos. God of War 3 is still awesome, so make up your own mind when you play it, rather than letting other people’s opinions sway you. It is one of the best games on PS3, imo.12 years ago Reviews: 20 User Lists: 20 @RsistncE said: ” @Icemael said: ” III is the worst game in the series (with the possible exception of the first God of War, which is the only I haven’t played). Ghost of Sparta is superior in pretty much every way. Except graphics, obviously.

1. I actually felt the complete opposite: GoW1 was pretty epic but because I played GoW2 so much later it didn’t pack much of a punch for me.
2. On the other hand I thought GoW3 was incredible.
3. It packed a vicious punch and was a great way to end Kratos’ story.
4. Visually it was amazing, and the puzzles were the best in the series (though that isn’t saying much, lol), but I felt that everything else was just complete shit.

Story, boss battles, weaponry, level design, even camerawork – it was just a massive, massive disappointment. I think I know why it was such a mess, too. A couple of weeks after I had finished it, I read that the previous games’ directors had left the studio, and that the art director had been put in charge of the entire game. @Icemael said: ” @RsistncE said: ” @Icemael said: ” III is the worst game in the series (with the possible exception of the first God of War, which is the only I haven’t played). Ghost of Sparta is superior in pretty much every way. Except graphics, obviously.

I actually felt the complete opposite: GoW1 was pretty epic but because I played GoW2 so much later it didn’t pack much of a punch for me. On the other hand I thought GoW3 was incredible. It packed a vicious punch and was a great way to end Kratos’ story. ” Visually it was amazing, and the puzzles were the best in the series (though that isn’t saying much, lol), but I felt that everything else was just complete shit.

Story, boss battles, weaponry, level design, even camerawork – it was just a massive, massive disappointment. I think I know why it was such a mess, too. A couple of weeks after I had finished it, I read that the previous games’ directors had left the studio, and that the art director had been put in charge of the entire game.
View complete answer

Should I play God of War before Ragnarok?

You don’t need to play 2018’s ‘God of War’ to play ‘Ragnarok’
View complete answer